Representations of Fear. Verbalising Emotion in Ancient Roman Folk Narrative

Camilla Asplund Ingemark & Dominic Ingemark

Suomalainen Tiedeakatemia
Folklore Fellows’ Communications 320
Helsinki 2020
362 p.
ISBN 978-951-41-1156-3
Available at the Tiedekirja bookstore, 38€

This book deals with folk narratives expressing some of the basic fears of ancient Roman culture. These included, on the one hand, threats to the survival of the family, especially concerning children, pregnant women and to some extent also young men, and, on the other hand, the hidden dangers of the urban environment, especially places such as sewers, cemeteries, crossroads, inns and harbours.

Human existence was precarious in many ways in antiquity: success could swiftly turn into misfortune, health into illness and death, with disastrous consequences for the most important social network in this era, the family. These misfortunes could be difficult to cope with, and adversity, calamity and death had to be made intelligible emotionally. By verbalizing fear – in the form of stories of demons, witches, ghosts and wild animals – it could be endowed with a concrete shape.

The argument of this book proceeds from the assumption that the act of narrating stories helps us to make sense of our lives and the world we live in. In narrative, we articulate our emotions, thoughts and opinions, voice our hopes and desires, our anxieties and fears. The therapeutic power of stories lies in their ability to provide a space for reflection on the difficulties and anxieties in life.

The concept of emotional topography is introduced as an analytical tool in studying the relation between space, emotions and time. Certain places were associated with one range of emotions during the day and another at night, such as a cemetery, which at night evoked dread and disgust. Other places, such as for example inns, could evoke a sense of unease regardless of the time of day; they were places where horrendous things might take place, where you risked encountering everything from murderous inn-keepers to werewolves.


 

Contents

Acknowledgements

Introduction and Background

ON-LINE 1. Introduction
1.1    Methods and Theory
1.2    The Structure of this Book

2. Oral Traditions in the Ancient Literature
2.1    The Functions and Characteristics of Folklore
2.2    Golden Tales – Storytelling in the Roman World
2.3    Identifying and Interpreting Folklore in Literature
2.4    Identifying and Interpreting Folklore in Ancient Literature

Coping with Emotions

3. The Study of Emotion and Fear
3.1    The Study of Emotion
3.2    The Study of Fear

4. Philosophical Perspectives on Emotion, Fear and Therapy
4.1    Aristotle: The Usefulness of Emotion and Arousing Pity and Fear Through Plot
4.2    Epicurus and the Epicureans: Therapies for Pain and Fear
4.3    The Stoics: The Consolation and Reformation of Emotion as Judgement

The Family under Threat

5. The Fear of Losing a Child: Child-Killing Demons and Witches
5.1    Stories of Strix
5.2    Stories of Lamia
5.3    Stories of Gellô and Mormô
5.4    Envy and Fear
5.5    The Family: Death and Survival
5.6    Externalising Threat and Blame, and Mental Preparation for Future Ills

6. The Negligent Nurse: The Monkey Babysitter and Other Careless Child-Minders
6.1    The Story of the Monkey Babysitter
6.2    Apes in Ancient Thought
6.3    The Wet-Nurse – Symbolic Comforter Figure vs. Object of Anxiety
6.4    Fear, Grief, Regret and Remorse
6.5    Emotion Work with Sticky Objects and Key Symbols

7. Barren Relations: The Lure of Beautiful Witches and Man-Eating Demons
7.1    A Story of Witches and Lamiae in Apuleius
7.2    Stories of Man-Eating Demons
7.3    Mythological Creatures and Courtesans
7.4    Passion, Anger, and Fear
7.5    Negative Description, Metaphors, Catharsis and Critical Spectatorship

Loci of Fear in and outside the City

8. Emotional Topography
8.1    The Concept of Emotional Topography
8.2    Temporal Aspects of Fear: Night as a Time of Terror
8.3    Charged Places: Cemeteries, Roads, Crossroads and Inns
8.4    Dodgy Places: Harbours as Sticky Objects

9. The Fear of Being Left Unburied: Ghosts
9.1    Quickly Covered by Sandy Soil: The Restless Spirit of Socrates
9.2    Murder in Megara
9.3    Haunted Houses: Victims Without Graves
9.4    Fear, Superstition and Reverence
9.5    “Death Is Nothing to Us” and the Folkloric Alternative

10 Intruders from the Deep: Octopuses and Killer Whales
10.1  The Octopus in the Sewers
10.2  The Octopus Climbing the Tree
10.3  The Octopus: A Symbol of Intelligence, Deceit and Stupidity
10.4  An Orca in Ostia: Claudius and the Killer Whale
10.5  Fear, Courage, Disgust and Arrogance
10.6  Being a Slave under Pleasure

Conclusions

11 The Therapy of Fear
11.1  The Verbalisation of Emotion
11.2  Externalising Blame: Scapegoats and Sticky Objects
11.3  Inns and Harbours as Sticky Places
11.4  Emotional Topography
11.5  The Therapy of Emotions

Appendix: Friends from the Deep Sea – Dolphins

Notes

List of Abbreviations

Bibliography

Indices
1 Historical Persons
2 Authors and Works
3 Historical and Mythical Places
4 Other Names
5 Emotions, Feelings, Virtues and Vices
6 Supernatural Beings
7 Animals
8 Magical Plants
9 Magic
10 Philosophical terms
11 Psychological and Therapeutic Terms
12 Folklore Terms and Concepts
13 Other Theoretical Terms and Concepts
14 Socio-Historical Phenomena

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